Do you crave positive attention, but don’t want to wear pants or leave the house? Ask your doctor if Writing Fanfiction ™ is right for you!

aprillikesthings:

Side effects may include: 

  • Making friends all over the world and coming to terms with the fact that you might only meet half of them, ever, if you’re lucky
  • Occasional-to-frequent sleep-deprivation because the words finally started flowing two hours after you were supposed to be asleep
  • Getting into arguments with strangers about which fictional characters should kiss
  • Realizing you are working through your own feelings about events from your own life by imagining your favorite fictional characters going through the same things
  • Researching the sorts of things that make you worry you’ll end up on an FBI watchlist 
  • Watching pornography only to help yourself visualize specific positions/acts
  • Crying

why writing takes forever

writer: *stops mid-sentence* damn what’s the word I want?
writer: *spends 25 minutes on google trying to figure out the right vocab word*
writer: *gets a paragraph done*
writer: *starts another sentence, stops* what is that really specific fact I need?
writer: *spends an hour trying to figure out this obscure thing that probably doesn’t actually matter*
writer: Wait what’s that thing called again?
writer: *has no idea how to search for what I need*
writer: *ends up digging through blogs and other archived websites for details*
writer: *needs to reference source material for fact checking*
writer: *has to eat and sleep at some point*
writer: should it be “she regards him with disdain” or “she glares at him with disdain” ??? (hint: it doesnt matter but gunna go back and forth over it for an hour)
writer: *gets distracted by the internet in general*
writer: HOW IS THIS ONLY 800 WORDS???????
writer: fuck proofreading
writer: okay fine i’ll proofread.
writer: holy shit this is awful.
writer: *reworks entire sections*
writer: *doesn’t think I’m good enough as a writer and stops for a few days*
writer: repeat process as needed.

You can’t please all of the people all of the time.

happierstill:

may-shepard:

verybadhedgehog:

Reader 1 only likes it when Character A tops.
Reader 2 only likes it when Character B tops.
Reader 3 likes to see softness and femme-coded actions/expression
Reader 4 is only here for trad masc/masc
Reader 5 needs to explore Character A’s inner world, mental health, turmoil, etc, and to see their own symptoms and struggles through him.
Reader 6 needs to explore Character B’s turmoil and doesn’t ever want to see him in the role of comfort provider to Character A.
Reader 7 needs to see the faults, flaws, crimes and evildoing of both characters acknowledged, in text or subtext.
Reader 8 wants to see one or both of them doing bad things and enjoying it.
Reader 9 wants to see them doing bad things and hating it.
Reader 10 wants a little escapism and wants to switch off and visit a world where they aren’t explicitly doing evil shit right then and there.
Reader 11 loves it when you gently mock the characters through dry humour.
Reader 12 likes things taken completely seriously.
Reader 13 identifies with one of the characters and finds some kinds of humour and characterisation personally offensive.
Reader 14 will nope out of any fic with a particular thing in it
Reader 15 loves that particular thing
Reader 16 loves modern AUs
Reader 17 can only stand canonverse
etc
etc

You can’t please all these people at once. Even if you dig them and respect them and look up to them, you can’t please them all at once. Whatever you do is going to be unpalatable to someone, even if you’ve thought things through really well and you’re clear about your aims.  You can’t fix this problem by throwing in little titbits as if to say “look! I know you like it when such-and-such happens!” “Look! I have got a moral compass I promise I promise!” “Look! I know some people have particular views about sexual personae and this isn’t the thing you hate it isn’t really look I’m showing you.”

Whether readers take a transformative/exploratory stance to their interaction with the text, or a normative/prescriptive stance, there will be matters of personal taste that can’t be gamed away. You can only think hard about what you want and how you want it to be and what you want to show. There is no magic combination of second-guessing the reader and casting incantations to appease them that will let you away without at least one person disliking your fic. And that’s okay.

Yes! This is excellent advice.

The general principle here is just as important in original fiction than it is in fic, imo. Some editors will like your brand, some won’t. But you won’t get further ahead by watering down your brand to try to anticipate a bunch of different editorial tastes.

This is awesome for readers too. Don’t like it? Don’t read. Don’t leave mean comments, just move on. There’s something for everyone.

I find that, for me, the work is a safe place to put all the stuff you don’t want to put in your real life. I don’t want to be a crazy, manic asshole. I don’t want to have an affair. I don’t want to have a fucking gunfight. But! There’s a part of your brain that wants to experience everything, and so work’s a safe place to explore it all. Both in the writing and in the performing. I get to write about an affair. I get to have the guilt and the feeling of that without having to fuck my life up. [laughs]

Art is the place to safely explore all those other sides of you, because the side you want to bring home is the side that wants to be a good father and be a good husband and be a good son. In art we can be fucking nuts

Lin-Manuel Miranda pretty much nailing why all art and means of creative expression is so important (x)

warriormaggie:

calpatine:

avoresmith:

genufa:

hannibalsbattlebot:

shellbacker:

saucywenchwritingblog:

I’ve seen five different authors take down, or prepare to take down, their posted works on Ao3 this week.  At the same time, I’ve seen several people wishing there was more new content to read.  I’ve also seen countless posts by authors begging for people to leave comments and kudos. 

People tell me I am a big name fan in my chosen fandom.  I don’t quite get that but for the purposes of this post, let’s roll with it.  On my latest one shot, less than 18% of the people who read it bothered to hit the kudos button.  Sure, okay, maybe that one sort of sucked.  Let’s look at the one shot posted before that – less than 16% left kudos.  Before that – 10%, and then 16%.  I’m not even going to get into the comments.  Let’s just say the numbers drop a lot.  I’m just looking at one shots here so we don’t have to worry about multiple hits from multiple chapters, people reading previous chapters over, etc.  And if I am a BNF, that means other people are getting significantly less kudos and comments.

Fandom is withering away because it feels like people don’t care about the works that are posted.  Why should I go to the trouble of posting my stories if no one reads them, and of the people who do read them, less than a fifth like them?  Even if you are not a huge fan of the story, if it kept your attention long enough for you to get to the bottom, go ahead and mash that kudos button.  It’s a drop of encouragement in a big desert. 

TL;DR: Passively devouring content is killing fandom.

Reblogging again

So much this

You know, kudos and comments are much beloved by all esp. yrs truly, but I have to say: I’ve been posting fic for 20 years, and I have never in my entire life had a story stay above a 1:9 kudos to hits ratio (or comments to hits, back when kudo wasn’t an option). Usually they don’t stay above 1:10, once they’ve been around for a few weeks.

I also have a working background in online marketing. In social media 1:10 is what you would call a solid engagement score, when people actually care about your product (as opposed to “liking” your Facebook page so they could join a contest or whatever). If BNFs are getting 1:5 – and I do sometimes see it – that is sky-high engagement. Take any celebrity; take Harry Styles, who has just under 30M followers and doesn’t tweet all that often. He regularly gets 3-400K likes, 1-200K retweets. I’ve seen him get up to just under 1M likes on a tweet. That’s a 1:30 engagement ratio, for Harry Styles, and though some of you guys enjoy my fics and have said so, I don’t think you have as lasting a relationship with my stories as Harry Styles’s fans do with him. XD;

Again, this is not to say we, as readers, should all go home and not bother to kudo or comment or engage with fic writers. That definitely is a recipe for discouraging what you want to see in future. But this is not the first post I’ve seen that suggests a 20% kudo ratio is the equivalent of yelling into the void, and I’m worried that we as writers are discouraging ourselves because our expectations are out of whack.

I think about this a lot, because it’s important to know what a realistic goal to expect from an audience is, even though I admit it definitely is kind of depressing when you look at the numbers. I was doing reading on what sort of money you can expect to make from a successful webcomic, and the general rule of thumb seems to be that if your merchandising is meshing well with your audience, about 1% will give you merch. I imagine ‘subscribe to patreon’ also falls in this general range. 

Stuff that is ONLY available for dollars are obviously going to have a different way of measuring this, but when it comes to ‘If people can consume something without engaging back in any fashion (hitting a like button, buying something, leaving a comment)’ the vast majority will.

And as a creator that is frustrating but as a consumer it’s pretty easy to see how it happens. I have gotten steadily worse at even liking posts, much less leaving comments on ones I enjoy, since I started using tumblr. It’s very difficult to engage consistently. I always kudo on any fanfic I read and comment on the vast majority, but then again I don’t read a lot of fanfic, if you are someone who browses AO3 constantly/regularly for months or years, I could see how it’s easy to stop engaging. I don’t remember to like every YT video or tumblr fanart I see, much less comment on them.

When we are constantly consuming free content it’s hard to remember to engage with it or what that engagement means to the creators. And lol, honestly that sucks. Certainly as consumers we should be better about it. But also like, as a creator be kinder to yourself by setting a realistic bar of what you can achieve. 

And IMO, if numbers matter to you (kudos, comments, etc) be honest about the fact that you CAN improve those things by marketing yourself better. The ‘I just produced my art and put it out there and got insanely popular because it was just so brilliant’ is less than a one a million chance. Lots of amazing content is overlooked every day because there is a lot of good content and a metric fuckton of mediocre to bad content. You can only SORT of judge the quality of your work based on the audience it generates, but if what you WANT is an audience there is way, way, WAY more you can be doing than simply producing whatever you immediately feel like. Marketing yourself is a skill and if you want the benefits of it you have to practice it.

I have a professional background in internet marketing as my day job and a moderate hobby business. My definition for “moderate” is “it pays for itself, keeps me in product, and occasionally buys groceries.”

In the day job, which is for an extremely large global company, there are entire teams of people whose entire purpose of employment is to ensure a 3% conversion rate. That’s it. That is for a Fortune 100 company: the success metric is for 3% of all visitors to a marketing web site to click the “send me more info” link.

My moderate business that pays for itself has a 0.94% conversion rate of views to orders. Less than 1%, and it’s still worth its time – and this is without me bothering to do any marketing beyond instagram and tumblr posts with new product.

I know it feels like no one is paying attention to you and you’re wasting your time if you don’t get everyone clicking kudos or commenting but I promise, I PROMISE, you are doing fantastically, amazingly well with your 10% rate. You probably aren’t going to go viral AND THAT’S FINE. You’re only hurting yourself if you’re expecting a greater return – don’t call yourself a failure, because you’re NOT. You’re just looking at it the wrong way. I promise, you’re lovely just the way you are.

This is actually really good to know – helpful.

I keep track of what stories are doing well based on the reading to kudos ratio. I aim for close to 10%…and a story that hits between 5% and 10% kudos, to me, is considered a success. That means 10% of all readers liked the story enough to slap the kudos button. For me – that’s a big deal. Enough to struggle with writers block, re-writes, edits, writing when I’m tired, etc etc etc.

A story with a low kudos ration may get taken down as a “not enough liked it to deal with the stress of writing it.”

I just got some people interested in a story I haven’t touched in 2 years. I checked its kudos ration. It’s almost 7% on a self-insert. Damn. I should work on that story. See?

And oddly enough – sometimes I look not at total hits or kudos, but a kudo ratio to see if a long story is worth trying out. Because you may have low numbers, but if you’re hitting close to 10%…I’mma give that story a solid chance and 99% of the time add to that kudos ratio because that means 10% of the readership loved it.

I think…no, I know that I don’t understand marketing numbers well. I know that 10% kudos ratio seems low. Especially since hitting that kudos button is so easy. But then I think about stories I’ve read where I haven’t hit the kudos button and yeah…ok…I get it. I’m guilty of it too. We all are.

So hey – kudos to the people who leave me kudos.

CAKE to the people who leave me a comment. Even if it’s just a whole bunch of ❤ ❤ ❤ <3. 

I love you too!

mcfiddlestan:

teawithsgtbarnes:

cimness:

futureevilscientist:

roane72:

worldwithinworld:

When you are writing a story and refer to a character by a physical trait, occupation, age, or any other attribute, rather than that character’s name, you are bringing the reader’s attention to that particular attribute. That can be used quite effectively to help your reader to focus on key details with just a few words. However, if the fact that the character is “the blond,” “the magician,” “the older woman,” etc. is not relevant to that moment in the story, this will only distract the reader from the purpose of the scene. 

If your only reason for referring to a character this way is to avoid using his or her name or a pronoun too much, don’t do it. You’re fixing a problem that actually isn’t one. Just go ahead and use the name or pronoun again. It’ll be good.

Someone finally spelled out the REASON for using epithets, and the reasons NOT to.

In addition to that:

If the character you are referring to in such a way is THE VIEWPOINT CHARACTER, likewise, don’t do it. I.e. if you’re writing in third person but the narration is through their eyes, or what is also called “third person deep POV”. If the narration is filtered through the character’s perception, then a very external, impersonal description will be jarring. It’s the same, and just as bad, as writing “My bright blue eyes returned his gaze” in first person.

Furthermore, 

if the story is actually told through the eyes of one particular viewpoint character even though it’s in the third person, and in their voice, as is very often the case, then you shouldn’t refer to the characters in ways that character wouldn’t.

In other words, if the third-person narrator is Harry Potter, when Dumbledore appears, it says “Dumbledore appears”, not “Albus appears”. Bucky Barnes would think of Steve Rogers as “Steve”, where another character might think of him as “Cap”. Chekov might think of Kirk as “the captain”, but Bones thinks of him as “Jim”. 

Now, there are real situations where you, I, or anybody might think of another person as “the other man”, “the taller man”, or “the doctor”: usually when you don’t know their names, like when there are two tap-dancers and a ballerina in a routine and one of the men lifts the ballerina and then she reaches out and grabs the other man’s hand; or when there was a group of people talking at the hospital and they all worked there, but the doctor was the one who told them what to do. These are all perfectly natural and normal. Similarly, sometimes I think of my GP as “the doctor” even though I know her name, or one of my coworkers as “the taller man” even though I know his. But I definitely never think of my long-term life partner as “the green-eyed woman” or one of my best friends as “the taller person” or anything like that. It’s not a sensible adjective for your brain to choose in that situation – it’s too impersonal for someone you’re so intimately acquainted with. Also, even if someone was having a one night stand or a drunken hookup with a stranger, they probably wouldn’t think of that person as “the other man”: you only think of ‘other’ when you’re distinguishing two things and you don’t have to go to any special effort to distinguish your partner from yourself to yourself.

This was such a hard lesson for me to get in the beginning.
Cause you know, I could see my characters so clearly in my head and they were all so pretty or unique and I worked so hard on my character study checklist I wanted to mention those traits on the list over and over and I didn’t understand how jarring that can be or how certain words like names sort of fade naturally when you read so they are okay to continue to repeat.

But heeding this advice will honestly take your writing to the next level.

I have to thank @stephrc79 for pointing this out to me. Super conscious of it now.

For Writers:

sunken-standard:

Reblog if it’s okay for your followers
to leave you an ask telling you what the one thing is they remember
you for as a writer.  Is it a scene or a detail or a specific line?
Is it something like style or characterization?  Is it that one weird
kink they never thought they’d be into, but oh my god wow
self-discovery time?

For Writers:

sunken-standard:

Reblog if it’s okay for your followers
to leave you an ask telling you what the one thing is they remember
you for as a writer.  Is it a scene or a detail or a specific line?
Is it something like style or characterization?  Is it that one weird
kink they never thought they’d be into, but oh my god wow
self-discovery time?