Poem: I lik the form

birdrhetorics:

microsff:

My naym is pome / and lo my form is fix’d
Tho peepel say / that structure is a jail
I am my best / when formats are not mix’d
Wen poits play / subversions often fail

Stik out their toung / to rebel with no cause
At ruls and norms / In ignorance they call:
My words are free / Defying lit’rate laws
To lik the forms / brings ruin on us all

A sonnet I / the noblest lit’rate verse
And ruls me bind / to paths that Shakespeare paved
Iambic fot / allusions well dispersed
On my behind / I stately sit and wave

You think me tame /
  Fenced-in and penned / bespelled
I bide my time /
  I twist the end / like hell


* “lik” should be read as “lick”, not “like”. In general, the initial section on each line should be read sort of phonetically.

Written for World Poetry Day, March 21, 2018. When I had this idea earlier today, I thought it was the worst, most faux hip pretentious idea for a shallow demonstration of empty wordsmithing skill in poetry ever. So I had to try to write it. I mean, how often do you get to fuse the iambic dimeter of bredlik – one of the newest and most exciting verse forms – with the stately iambic pentameter of the classic sonnet?

@annleckie

positivelgbtposts:

❤️shoutout to gay people who used to think they were bi
💛shoutout to bi people who used to think they were gay
💚sexuality is complicated, there’s nothing wrong with taking time to figure yourself out
💙you aren’t “adhering to stereotypes” or anything like that.
💜there is nothing wrong with your identity!

vitruvianwatson:

When they first started sharing a bed it used to startle John into alert wakefulness on the evenings when Sherlock would crawl under the covers in the middle of the night, long after John had gone to sleep.  The heavy comforter would move, Sherlock’s arm would brush against him, and John’s heart would kick into high gear, his eyes snapping open and his hand flinging itself out for a gun that wasn’t there because he’d had the good sense to leave it upstairs.  Sherlock had handled it surprisingly well after his initial surprise; he’d simply lowered himself, slowly and carefully, until he was laying down, not touching John except for one hand that curled loosely around his bicep, and murmured “Breathe, John.  You’re safe.  Nothing’s going to hurt you.”

John couldn’t bring himself to say that it wasn’t images of himself being hurt that frightened him.  He’d focus on the warmth of Sherlock beside him and the gentle pressure of his hand–comforting but not restraining–and simply breathe until he felt like he could move again.  Then he’d turn and pull Sherlock against him, press his nose into the soft curve of his neck, and focus on the feeling of his heartbeat against his lips until he fell back to sleep.  When he woke he’d always find that Sherlock had shifted until his back was pressed to John’s chest, John’s arm curled protectively around his waist, his forehead hot against the back of Sherlock’s neck.

It went on like this for two months.  Then, one night, Sherlock slipped into the bed a little after midnight, and John didn’t startle awake, didn’t stop breathing.  He did wake, but it was gentle, easy.  His eyes opened blearily as the bed dipped, and he felt Sherlock go still, waiting for the inevitable alarm to go off in John’s head.  But John only shifted like someone who’s still half-asleep, only turned enough so that Sherlock could settle back against him just the way John knew he liked, his fingers threading through John’s where he held his hand against his chest so that John could feel his heart, a steady thrum against his palm.

“I never would’ve pegged you for the little spoon, you know,” he said, his voice rough with sleep.  He tightened his arm and brushed his lips against Sherlock’s bare shoulder.  “S’good, though.”

“Mm, you let my physical appearance cloud your judgment,” Sherlock said, and John could feel the vibration of his words, pressed together as they were.  “You assumed that just because I am the taller of the two of us that I would prefer to be the ‘big spoon,’ as you say.”

John couldn’t help a small huff of laughter.  The idea of hearing Sherlock Holmes talk about spooning would’ve been unthinkable a mere few months ago.

“Besides,” Sherlock went on, “it suits us both.”

“Yeah?”

“Yes.  You find comfort in being able to surround me, in the feeling that you’re keeping me safe.”

It wasn’t surprising that Sherlock had figured that one out.  Pretty obvious, really.  He’d probably deduced it that first night even when John was too much of a wreck from his own fears to put it into words.

He kissed Sherlock’s neck, speaking against his skin.  “And you?“

“I’ve never liked being confined or restrained.  I’m sure that’s a surprise to you,” he said dryly, and John laughed.  Then Sherlock’s voice softened, and his hand tightened around John’s.  “But then I met you, and you surrounded my entire life, and I discovered that I didn’t mind the way you invaded my every thought, my every action.  I spent years wanting to be confined in your arms the way I was confined in my absolute affection for you.  And now I finally can be.  So.  That’s how it suits me.”

John swallowed thickly.  “There’s another thing I never would’ve guessed about you.”

“What’s that?”

He tugged gently at Sherlock’s hip until he turned so that John could kiss him.  “You’re a bloody romantic.”

He could feel Sherlock’s smile curve against his lips.  “Only for you.”

“Mm, let’s keep it that way.”

Sherlock’s answer was soft, barely murmured into the infinitesimal space between their mouths.  “Forever.”

molotowcocktease:

Double chins and belly rolls and still beautiful, fat and happy.
I know people still cringe at my photos, or any photos that show a fat person not hiding their fatness, their cellulite, visible belly outlines, big arms and thighs, double chins, back rolls and so on and on. I know it’s a long process unlearning that all those above body parts are not inherently less valuable, attractive or appealing. Most of us live with bodies that have some or many parts that are not the specific shape and size or color that society and media have taught us are beautiful. GOD it’s so fucking tiring being told OVER and OVER and OVER that you’re not perfect and that you should constantly strive to be and look different. I’m here to let them cringe at me over and over and over until they un-learn the constraints the media has placed on beauty, bodies and ourselves. Until they’re used to seeing a FAT person without feeling entitled to fatshame, dish out unsolicited diet/workout tips, ridicule and diminish our worth and work. I’ll be here until you can’t count how many fat people you’ve seen in sexy lingerie ads and editorials, fat leads in movies (that aren’t about them losing weight or are self deprecating) until every store carries our sizes and nobody ever feels like they aren’t perfect.
Shot by @iridessence
Panties @lanebryant

Find the rest of this set on
Www.patreon.com/Shero

on calls to boycott the Bohemian Rhapsody movie

acrossmyengines:

Based on a 90-second teaser trailer and a few assumptions, the calls have gone out that we should boycott Bohemian Rhapsody for queer erasure.

“The trailer doesn’t show any gay content, only het stuff!”
There’s a split-second shot of Freddie hugging his girlfriend at one point. There’s also multiple shots of him obviously flirting with guys. The contention that the trailer is queer erasure is mostly coming from cis gay (white) men mad that the movie seems to be depicting Freddie Mercury as bisexual and capable of loving women at all, but given how significant his relationship with Mary Austin was to his life, it would be a disservice to everyone to exclude it.

Also, the cast list includes several male characters listed as “Freddie’s Lover,” as well as Jim Hutton, his partner in his final years.

“They’ve said the movie is going to ignore the AIDS crisis!”
No. What’s been said is that the movie ends in 1985. Once this information was released, people immediately jumped to assume that because the movie wasn’t going to chronicle Freddie’s illness and death in detail, it was avoiding the subject entirely. But the AIDS crisis was in full swing in ‘85, and Freddie of all people was extremely aware of it. The description of the trailer (the first teaser trailer!) even alludes to it.

It’s a fair point that they haven’t mentioned AIDS by name yet, but also, the only materials they’ve released so far are some promo images and one teaser trailer.

In this context, for people wondering why the creative team or the remaining band members don’t come out to “put the matter to rest” by assuring us the film deals with AIDS, it might help to remember that the media has in the past been extremely tawdry and exploitative in its treatment of Freddie Mercury’s illness and death (have you not seen all the “HIS TRAGIC AIDS STORY!!!” videos floating around Youtube? Not read the biographies that linger in lurid, dubiously sympathetic detail?). It makes sense to me that if Brian May and Roger Taylor have a heavy hand in the making of the film (which they seem to), they’d ask for a more subtle approach.

Also, again: we have six months till the movie comes out and only one teaser trailer at this point. Be concerned if you feel the need, but it’s a little early to call for a boycott.

Do not tell people to shun queer content because you have decided, six months in advance with very little information, that it won’t be up to your standards when it comes out.

Seriously. This. If we continue to hold gay content to insane standards, especially even before it is released, will not help our community and will not help more gay media to succeed. Back in the day, we would go see ANYTHING with queer content. To be supportive of the creators, and also to show the powers that be that in fact there is a market for queer content. Guess what? This is still a great idea! If you still think there’s something wrong with it, express that, but do it based on actual information from seeing the film not fearmongering